If in the various books of the Iliad and Odyssey the speeches or personated lines are separated from the rest, the metrical phenomena will, when tabulated, be found to show a perceptible divergence from those of the narrative verse. The differences are worth some notice. They throw into sharp relief the subtle rules that control the narrative type; and, what is more important, they do to some extent suggest the principle, of which these rules are the necessary outcome. There is (...) also involved another point of considerable interest; for the contrast between narrative- and speech-verse exactly coincides, it must be remembered, with a very remarkable difference in the use of the augment; and the more this coincidence is considered, the less easy it will be found to dismiss it as accidental. (shrink)

If in the various books of the Iliad and Odyssey the speeches or personated lines are separated from the rest, the metrical phenomena will, when tabulated, be found to show a perceptible divergence from those of the narrative verse. The differences are worth some notice. They throw into sharp relief the subtle rules that control the narrative type; and, what is more important, they do to some extent suggest the principle, of which these rules are the necessary outcome. There is (...) also involved another point of considerable interest; for the contrast between narrative- and speech-verse exactly coincides, it must be remembered, with a very remarkable difference in the use of the augment; and the more this coincidence is considered, the less easy it will be found to dismiss it as accidental. (shrink)

The use of the temporal augment in narrative we have found to be purely scansional. Scansional, too, is the use of the syllabic, though this has a grammatical restriction which is of some interest; indeed, next to the maintenance of type öρovδΕ, it is the most vital fact for the whole question. The unaugmented aorist is not felt as an inflection which has been docked of its first syllable; quite the reverse, the augmented tense is treated as a compound. For (...) example, é normally stands second in its clause; and so, if the syllabic augment was still consciously regarded as what it really is—viz. an adverb in composition—we should expect to see a great unwillingness to place Be after a tense thus augmented. Our expectation is fully borne out by the text; in the whole narrative of the Iliad there are only sixteen sure examples of é standing after the syllabically augmented aorist. (shrink)

The use of the temporal augment in narrative we have found to be purely scansional. Scansional, too, is the use of the syllabic, though this has a grammatical restriction which is of some interest; indeed, next to the maintenance of type öρovδΕ, it is the most vital fact for the whole question. The unaugmented aorist is not felt as an inflection which has been docked of its first syllable; quite the reverse, the augmented tense is treated as a compound. For (...) example, é normally stands second in its clause; and so, if the syllabic augment was still consciously regarded as what it really is—viz. an adverb in composition—we should expect to see a great unwillingness to place Be after a tense thus augmented. Our expectation is fully borne out by the text; in the whole narrative of the Iliad there are only sixteen sure examples of é standing after the syllabically augmented aorist. (shrink)

Though the problem of the Homeric augment eventually needs a rather intricate handling, it can at first be stated quite simply. Briefly, the facts are these:A. True present-aorists, such as are seen in the similes and gnomes, take the augment idiomatically. In the whole of the similes there are only sixteen unaugmented aorists; three of the instances are difficult, but the rest could be emended by slight changes.B.Iteratives do not take the augment; ν 7 is the only certain exception.